5/25/2004

That's not Foreigner; it's Becca Costello

Feels like the first time...

Common tease in the Hansen household. You get a cheezy, nostalgia-laced song stuck in your head and you do everyone in the family a favor an sing a few bars to get it stuck in their head... Misery: it does love company. And in that vein, our dear friend Becca Costello (PFAs #317, 318) has titled her upcoming Luna's Cafe performance "Feels Like the First Time..." (Yes, your 80s rocker-inner-child know's the next line: "...Feels like the VERY first time.")

Becca does poems, sure. But she's really shown a talent for high-energy, hilarious spoken word monologues a la Michelle Tea (PFA #267 ) and Beth Lisick (PFA #316). Andrick Hosts her feature performance this Thursday at 8pm (So you know it's all good.) Becca's even made this cool flyer for the event:

5/22/2004

Katastrophe | PFA #356

An amazing spoken word/rap artist from San Francisco, Katastrophe (aka Rocco Kayiatos). He read at Luna's in March, 2004 another Bay Area talent finding their way to Sacramento via the Frank Andrick (PFA #207) conduit that channels such positive literary energy back and forward between Sac and San Fran. (Andrick recently hosted Sacramento poets at a tribute reading for Josee Andrei at the Focus Gallery in The City.) Anyway, I was all excited about making a Rocco PFA, but it took me some time. Pending his approval, here's the cover:



Note: the excellent picture on cover is by Chupa Kristen Matteson, who will one day discover I "borrowed" this image from Rocco's website and kick my ass.

Eskimo Pie

Eskimo Pie (PFAs #303, #340): You tune into Eskimo Pie's website first for the editorials, which often reflect a Dorothy Parker sensibility of the world, and then you look at the calendar page (one of the best for the sacramento/northern california region) as well as featured poets, artists, what not. Credit her with divining the term Monkey Poet, whether she did or not, and enjoy how her love/hate relationship unfolds with them within the pixels of her fastidiously updated site. Here's a taste of her editorial prowess (from May 22):

Eskimo Pie Basketball Trivia Contest Questions: 1. Eskimo Pie played on a basketball team for: a) 7 years; b) 8 years; c) 9 years [and you wonder why Eskimo is competitive]. 2. One year, Eskimo made which percentage of the team's total points for the year? a) Eskimo made 50% of the points for the year; b) Eskimo made 75% of the points for the year; c) Eskimo made 100% of the points for the year. 3. Eskimo's current freethrow shooting percentage is: a) 70%; b) 80%; c) 90%. 4. Eskimo's favorite move that she likes to practice is: a) the Vlade oop (an underhanded free-throw); b) the Vlade flop; c) the C-Webb hook; the Christie big-lipped steal, sprint, spin and in (say 5 times fast); the Pejaswish; or the Peeler punch. Eskimo does not know why the Kings and Arnold didn't show up to hear Bari read, "Howl," at the Crocker. Fortunately, an Eskimo Pie fan gave Eskimo a poster of Vlade and Peja (kiss kiss). Eskimo thinks the poets in this town are divided into two camps: the basketball poets and the baseball poets. See if you can see any patterns: basketball poets: Normington, Pulley, Walton; baseball poets: Breit, Nelson, Viola. If you ever happen to take a beginning speech class, you will be asked to give an impromptu speech on a ridiculous subject such as, "What/which is better? Basketball or baseball? Apples or oranges? Monkey poets or bird poets? Fame or fortune? Rhyme or free verse? Dogs or cats? The Beats or the Meats? Bush or Satan? Oil or peace? Luxury or lives? Henry Miller, speaking of Patchen, said that Patchen's life-long struggle was similar to that of other famous authors: the struggle of the "sensitive against the insensitive." Thus Eskimo doth hold aloft the flame of gentle sensitivity against base, sacrilegious, defamatory monkey poets everywhere.

The Best Poets drink Pabst Blue Ribbon



Small Press Legend John Bennett from the back cover of his book, The Adventures of Achilles Jones, which my friend K.P. found for me --signed!-- in a thriftstore for a buck.



5/20/2004

Leering Naropans

Diane Di Prima (PFA #120)| Luna's Cafe | Another Frank Andrick (PFA #207) effort at populist presentations of excellent poets from the Bay. Free and intimate, unlike many of the ballroom affairs poets like Diane are asked to particpate in when they come to Sacramento. | A literary giant, she is humble, sitting on stage, shuffling through folders; "I don't want to hog too much time." | First poem, written in the hotel room today, reflexive to a news item | Spring/New Life/A wedding/ Let's bomb it! | "Sometimes you've got to deal with [an issue] immediately" | Poem: No Problem | First glass broken on the patio/No problem | Upon the end of term at Naropa and the announcement that the party would be in Di Prima's room | Leering Naropans/No problem | Andrick, Gene Bloom (PFAs #138, #139, #241, #242, #243) and I look back to Bari Kennedy (PFAs #283, #302) | Gregory Corso/No problem | Anne Waldman's vericose veins/No problem | (PFAs #12, #13, #14) | Joanne Kyger's cocaine and rum/No problem |

Diane Di Prima | Tonight at Luna's



Diane Di Prima's PFA #120 was one of my first color covers in the series. I had just learned how to manipulate Adobe Acrobat files (.pdf files or, hereinafter, PDFs) and was eager to take advantage of the disk-to-color-copier services of Floppy's the neighborhood printshop. she was coming to town to read at the Sacramento Poetry Center and the plan was to make 100 copies to give out and give to her at the occasion. (I've since published a total of around 300-400 of PFA #120.) When I used a printer, one sheet of color output on nice cardstock cost $1.25 or a little over 12 cents a cover. With the color copier we have at the bookstore, the cost per cover is closer to 3 to 6 cents a cover.

The cover is covered with lines out of Di Prima's first Revolutionary Letters (She will soon be publishing a newer version.) You'll note the one line, in yellow, that stands out, bolder than all the others. That's because it's one of my favorite lines in her Letters, and also a fine, fine activist strategy.

5/19/2004

Production Notes | Backlog

Time to post that perpetual reminder that poems-in-production is backlogged. I've been getting a great in-flow of email submission over that last month along with the an occasional mailed submission. I have to concede that the emailed submits have the slight advantage in terms of getting into the series sooner, if only because it is easier to find and process them, compared to me always losing in some SOC* or another, the mailed submits. The best intentions make the perfect paving stones on the walkway to hell, and the stone I've been carrying around is the idea that all paper submits will end up in the same box, in order of receipt so that they might all me considered and produced in a fair and timely manner. Well, the midget in the white tuxedo has just announced the arrival of the plane... Scattered all over the bookstore where the PFA magic happens are the envelopes and sheafs of poems that I struggle to keep organized. Maybe it's genetic.

Case in point:
I was VERY excited to receive submissions from Antler back in December 2003, just as I was leaving for a wedding in LA. I replied and accepted, sending the little postcard provided from my hotel room on Holywood Blvd. Get back to Sacramento, place it on top of a VIP SOC* and ... disappeared.

*Stack of Crap.

Debbie Kirk | go work for Hallmark and fuck off

Another poem submission in the inbox today from Debbie Kirk (PFAs #348, #349) which makes me feel kinda guilty, having been working these last couple of days and all to get to all the other poets who've been waiting for their stuff to get published, knowing I'm going to push this poem to the front of the line, ahead of those that've been waiting for months. There. I said it. I play favorites.

Besides, Kirk has the best Submission Guidelines for her own PinkAnarckittyPress:

* Don't suck (that's key here!)
* Send 3 poems in the body of an e-mail. Or, mail them to me with a S.A.S.E. . Previous and simultaneous submissions are ok, just let me know. Don't send me links to your webpage.
* If you are sending Prose, I'm really not interested in anything more than 2500 words. UNLESS, you are convinced your shit is just THAT good. In that case, send it and I'll give it a looksie.
* Don't rhyhme or write about flowery subject matter. If you are that goddamn happy and crafty go work for Hallmark and fuck off.
* If you are wearing black nail polish, chances are I will post your shitty poetry on this website and make fun of it.
* Don't say "I'm a friend of so and so's" or "I've been published in blah blah blah" cause I don't fucking care. I do want a brief bio tho, but save the chatty stuff for your therapist.
* Unfortunately, I do not have the time to critique each and every submission. If you really want to be critiqued and you want my feedback, please mail $1.00 with your submissions.

5/17/2004

Chad Williams | PFA #373

I'm proud to publish Listen... by sound genius and poet Chad Williams (PFA #373) The poem is dedicated to artist and poet Josee Andrei (PFA #359) who passed away last month.



5/12/2004

Boadecia's Books in peril | Michelle Tea Reads

Described as "as the East Bay’s coziest, cat-friendliest, progressive bookstore," Boadecia’s Books, a lesbian-owned independent bookstore in the East Bay city of Kensington, CA (near Richmond) is faced with closing unless it can get help from the community and booklovers. Use the link above to donate funds or to buy books from their online store. Or check out the store in person when you go and see poet Michelle Tea read there with Meliza Banales on Friday, May 12th at 7:30pm.

Winans' Picture from the Easter Pomo Literati Radio Show



Just got pics in the mail from A.D. Winans taken at the KUSF studios when we were doing POMO LITERATI on Easter Sunday. In this pic, from left to right: Katy (a friend of producer Chad Williams), Gary Gach, A.D. Winans, Diane di Prima, Richard Hansen (me), and Frank Andrick, host of the POMO LITERATI literary hour on KUSF Radio in San Francisco, CA.

5/06/2004

PFA Special Edition | Kenneth Patchen (Red)

Poet Patricia D'Allesandro had requested we make copies of PFA #127, Kenneth Patchen's "The Artist's Duty" for an opening at the Crocker Museum (Sacramento, CA)of a beat/avant-garde exhibition. She and other poets, including mimeo legend D.R. Wagner were going to read Patchen Poems at the occasion. My wife happily agreed in my absence (!!) and then told me we needed to put together 100 or so of the little guys. She'd already started printing, deciding on a red cover stock for the cover. I initially balked, the "official" color of the PFA #127 being a nice cinamon color. I finally chilled, rolled with it, if you will, watching as the red sheets rolled from the printer. I decided that these red variants would be made and distributed only at the event and, since there were supposed to be around 500 in attendance, that we would up the number made to ... yup ... 500. Below are three pictures of their production.



PFA #127 in production.


My wife Rachel takes over for a spell during the production of the Patchen Red at the bookstore.


500 copies packaged and ready for the event.

5/05/2004

Honoring Jose Montoya (& a phone conversation with Phil Goldvarg)

A great phone coversation today with poet Phil Goldvarg (PFAs #304, 320, 361-370) who called to let me know how excited people were to receive copies of his little books at an event last night at CSU, Sacramento to honor poet Jose Montoya (PFAs #109, 110) who co-founded the Royal Chicano Air Force and just finished serving as Sacramamento's Poet Laureate.

Phil was also excited to talk about an amazing connection made as the writing group Los Escritores del Nuevo Sol was meeting at La Galleria Posada last weekend. That morning's writing theme was determined by a group of children there at the gallery making pinatas. As both groups finished, the children shared their finished pinatas with the poets and asked the poets to read their poems about pinatas.

Here is Phil Goldvarg's tribute poem to Jose Montoya:

JOSE
by Phil Goldvarg
Jose, sus cantos
a chile to the gente,
a river of fire to the heart,
a burst of light
that takes us
behind los ojos Louie
where his pain lives.
You keep him alive
in his death,
close to the gente
so he won't live alone
with the worms
y los huesos de Columbus
and his children.
You took us into
la alma dulce
de su Jefita
and her nonstop loving.
She becomes immortal
in the garden of your words,
she becomes immortal
con sus hijos,
hija,
who wind thru the snow,
a beautiful brown spring.

Cuando el jues has no mercy,
no respect,
no justicia,
sus cantos son estrellas
y sus brazos
are filled with signs
de las huelgas
como gritos
you carry them thru the fields
and the parking lots of Safeway
filled con ubas
coated with poison
y la sangre de su gente.
Jose tu voz
lives en mi alma


y en la noche
pensando de las familias
victimas of the
brutal marrano.
En la noche
miro su cada
con sonrisas
y sus antiojos claro
como tu corazon.

One day
the federal government
indicted you
for belonging to a foreign army,
the RCAF,
they thought it was
the Royal Canadian Air Force
or some other subversive group,
when they found out
it was the Royal Chicano Air Force
they still indicted you
for belonging to a foreign country.

I hear you cry
we will not be bound
to the circle of conformity,
we shake our heads,
stamp in rebellion,
our backs unchained
free of dictators,
we move across the sky
creating miracles
in the darkness of space,
we are generations of movement,
movidas,
waves of freedom
that will suffer no death
as we lay against eachother
en las luchas.

Music bends us like the willow,
we are the winds
and dance la historia
where the three times come together
embrace
and circle the earth floor.

Your song
a dark braid,
water winding thru forest
across the four faces of sky,
voice of Grandfather,
Grandmother,
living in soft silk wind
braid moving
circle
connecting all life.

You cry for your carnal
who does not move,
eyes closed,
lays before you,
gray box,
quiet air
screams within you,
come back,
soft whisper
goodby.

Your pen lives
en sus ojos
con los homeboys,
chavalitos
waiting to be men,
lowriders,
Kings of the boulevard,
telling the world
the sky is 24 inches high,
Cholas
fighting to be the homegirl,
the Chicana,
Strong
Brown
firme mujer de manana,

the veterano
holding las calles
con chingasos,
using the system that used him
by being it,
holding la calle con sangre.
You move with them,
decisions so hard
they tear you apart
como dos brancos.

Ricardo Favela said
"We're still here
aqi estamos."
You say
we are still here
rooted in the earth,
we will stay,
si se puede.
Louie The Foot asked
"Que ha pasado importancia
the last 15 years?"
You answer,
Nosotros passed
Chicanos passed
y passed
y passed,
don't forget
la Movida
has moved us to where we are,
it will not stop
unless there are no recuerdos
and we turn the shorthoe
on ourselves.

Born in El Gallego
in the dusty streets of Puebla,
birthed
con las lagrimas de su gente
you came from La Tierra Madre,
saw the pain of Aztlan
caught in the claws
of a foreign invader.

You painted rage y resistance
on the air
con su mano
the brush,
su sangre
the paint,
su alma
the eye,
the blank wall lives
un grito para su gente,
dead cement
becomes reason for hope
as you restir gravel and sand
to life.

You know the field
is filled with pain,
blistered hands
that claw the earth,
spray that steals the years,
bending that curves the spin,
hunger that butchers the mind
and melts flesh to bone.

Tu corazon
es lleno con dolor
for the hands
for the years
for the spines
for the minds
for the flesh,
your gritos
como la llorona
bounce against the clouds
and rain protest
on this injustice.

This is the beginning,
otra vez
en esta noche,
the past - future - continuation,
a gathering to affirm power,
defy oppression,
keeping Puebla
a living
moving
reality,
claiming life,
ripping the sheet from espantos,
leaving nothing but harmless air
the shattered bones of myth,
this is the ceremony
that connects the circle
and proclaims
that there will be and not be
another
Twenty Years De Joda,
Ya estuvo.

Phil Goldvarg
hgold42734@aol.com

Para Jose Montoya
La Raza/Galeria Posada
Sacras, Califas, Aztlan
April 23, 1993


y despues. May 4,2004 CSUS
Honoring Jose Montoya
night by MECHA CSUS

5/04/2004

Update: PFA Checklist

JANUARY 2004
q 341. Trope for January 1st by Ross Clark
q 342. Thomas Huxley's Monkeys [Spam Poems #1]
q 343. other junior high boyfriends by Tara Jepsen
q 344. Held for Reubi
q 345. Held for Reubi
FEBRUARY 2004
q 346. The Love Nest by Michael Pulley
q 347. Wack-Off Alley by Dan Provost
q 348. 5 bucks on Micheline by Debbie Kirk
q 349. That bitch of yours by Debbie Kirk
q 350. The Fallow White Page by Dove Cochrane
q 351. Hollywood Elegies by Bertolt Brecht
q 352. This, After an Argument by Dese'Rae L. Stage
q 353. sunny side motel, 4 am by Dese'Rae L. Stage
q 354. I Was Still Awake in Time for Church by Kathleen Libby
q 355. Waste Paper by Kathleen Libby

Behind the scenes of the small press revolution

Today I'm staffing our little literary outpost in Sacramento (read: bookstore), covering for my wife who is home with our sick little girl. I'm usually here a couple of hours a day, 4-6 covering the closing shift. Since I work an 8 to 4 job as well, I rationalize that this two hour slot is time to do Poems-For-All production. (Hell, if I were my employee, I would have fired my slacker ass by now.) I amazed and overwhelmed by how much by-product this "little" project creates. Mail, answered and unanswered. Piles of sheets of poems ready to be cut; little piles of cut covers, seperatated from their intended content pages (called "guts" in small press parlance) and looking very much like surreal business cards. As a chronic hoarder, and someone with a sense that all this stuff related to this three-year long literary effort should be, somehow, somewhere, archived, I keep everything. It's nuts. Ask my wife. And its in boxes all over the place. Our mega-sell-your-soul-to-Xerox color printer is out of ink as of yesterday, making me realize just how much we do on that thing, within PFA and beyond. Print, print print. About 45% of my daily activity. Except today, when, pining for magenta ink, and customers to buy books, I type here, clear shelves in the back, and use a pitchfork and shovel to move one SOC (Stack of Crap) from one location to another. Hey, its better than the day job. And word is in from the wife: go ahead and order that ink... Sweet Jesus I am in business again!

5/02/2004

Poemspirits: Heather Hutcheson

Running late after deciding to detour into the backyard with a surprise attack of water balloons lobbed at wife and daughter; wife grumbles (as all those ambushed are want to do), the kid delighted at watery bombardment. Coffee. Peet's. Further delays. (Should never have opened the door for Sen. Deborah Ortiz and let her go first.) I arrive as Nora Staklis (PFA #206) delivers her presentation Christina Rossetti: Poet of Love, Death, and Spiritual Devotion. the evening's featured reader, Heather Hutcheson (PFAs #122, 124, 125) was up next. The open mic that followed featured a strong reading from event co-hosts, Staklis, Tom Goff (PFAs #179, 180, 215), and JoAnn Anglin. This is the last of the Poemspirits events until Fall when it resumes on the first Sunday in October, 2004. [PoemSpirits, First Sundays at The Unitarian Universalist; Present: 25 souls]

Allen Cohen Memorial



At 10:30 this morning approximately 150 people who were friends or acquaintances of Allen Cohen met at the corner of Haight and Masonic Streets in San Francisco. Allen died of liver cancer two days earlier.

A poet and philosopher, Allen was perhaps best known for editing and publishing the [San Francisco] Oracle, a psychedelic newspaper published during the heart of the Haight Ashubury Hippie days. He also was the co-editor of Regent Press' An Eye For An Eye [Makes the Whole World Blind], an anthology of poetry on and about 9/11/2001.

The crowd gathered in the neighborhood where I lived as a child and the first three years of High School, and proceeded down to Golden Gate Park, where we made our way to what was once known as "Hippie Hill." Those present (mourners does not seem an appropriate word) joined hands in a circle, and shared spiritual chants, songs, and memories of good times shared during Allen's life.

Two hours later those coming to pay their respects drindled to about fifty or more persons who remained behind to read poems and talk about their personal experiences with Allen.

As Len Fulton said about another fallen warrior (William Wantling [PFAs #97, 98]): "We are the more for his having been here, the less for his departing." However, I don't see it as much as a departing as the moving on to a higher spiritual plain.

A. D. Winans | May 2, 2004 | 2:30 PM

A Short Biography of Allen Cohen

5/01/2004

Allen Cohen Died

Gerald Nicosia mailed out this sad announcement:

Allen Cohen died Friday night. There will be a memorial walk for him
tomorrow, Sunday, 10:30 AM, starting on Haight and Masonic and walking to hippie hill in the park. Poems and tributes will be read.